Wandering-Standing





Wandering-Standing 1 (Cobalt), 2026, acrylic on paper, 15"x18"
Wandering-Standing 2 (Beryl), 2026, acrylic on paper, 15"x18"
Wandering-Standing 3 (Siskin), 2026, acrylic on paper, 15"x18"
Wandering-Standing 4 (Campanula), 2026, acrylic on paper, 15"x18"
Wandering (study 7), 2026, acrylic on paper, 8"x9"
Wandering (study 2), 2026, acrylic on paper, 8"x9"
Wandering (study 6), 2026, acrylic on paper, 8"x9"
Wandering (study 8), 2026, acrylic on paper, 8"x9"

Meetings & Returns


Reduction relief prints and paintings created during an artist residency in Orvieto, Italy. The series presents formal issues of color theory, balance, and movement—while also responding to personal reference points (landscape, artists, and architecture) found in Italy.



Meetings (A.P. 4), 2023, Relief Monoprint, 9" x 12"
Meetings (A.P. 5), 2023, Relief Monoprint, 9" x 12"
Meetings (A.P. 9), 2023, Relief Monoprint, 9" x 12"
Meetings (A.P. 10), 2023, Relief Monoprint, 9" x 12"
Returns (A.P. 3), 2023, Relief Monoprint, 9" x 12"
Meetings & Returns #7 (San Brizio), 2023, acrylic on paper, 22 x 30"
Meetings & Returns #11 (Santa Felicita), 2023, acrylic on paper, 22 x 30"
Returns (A.P. 1), 2023, Relief Monoprint, 9" x 12"

Nine Patch


A series of reduction woodcut monoprints and relief printed monoprints investigating the overlap between flat modernist abstraction and turn of the century quilts from Mennonite and Amish communities.



Nine Patch Diptych (A.P. 2), 2021, Relief Reduction Woodcut, 21" x 16.5"
Nine Patch Diptych (A.P. 4), 2021, Relief Reduction Woodcut, 21" x 16.5"
Nine Patch Diptych (A.P. 6), 2021, Relief Reduction Woodcut, 21" x 16.5"
Nine Patch Diptych (A.P. 7), 2021, Relief Reduction Woodcut, 21" x 16.5"
Nine Patch Diptych (A.P. 10), 2021, Relief Reduction Woodcut, 21" x 16.5"
Nine Patch Diptych (A.P. 12), 2021, Relief Reduction Woodcut, 21" x 16.5"
Nine Patch Diptych (A.P. 14), 2021, Relief Reduction Woodcut, 21" x 16.5"
Nine Patch Diptych (A.P. 15), 2021, Relief Reduction Woodcut, 21" x 16.5"
Nine Patch Study (A.P. 1), 2021, Relief Reduction Woodcut
Nine Patch Study (A.P. 3), 2021, Relief Reduction Woodcut
Nine Patch Study (A.P. 4), 2021, Relief Reduction Woodcut
Nine Patch Study (A.P. 5), 2021, Relief Reduction Woodcut
Nine Patch #3, 2015, Monotype, 10.5" x 12.5"
Nine Patch #4, 2015, Monotype, 10.5" x 12.5"
Nine Patch #8, 2015, Monotype, 10.5" x 12.5"
Nine Patch #10, 2015, Monotype, 10.5" x 12.5"
Nine Patch #12, 2015, Monotype, 10.5" x 12.5"
Nine Patch #14, 2015, Monotype, 10.5" x 12.5"
Nine Patch #17, 2015, Monotype, 10.5" x 12.5"

San Domenico


A series of reduction relief prints responding to the pattern and structure of a tile floor found in the 13th century church of San Domenico in Orvieto, Italy.



San Domenico (A.P. 3), 2019, Relief Monoprint, 9" x 9"
San Domenico (A.P. 6), 2019, Relief Monoprint, 9" x 9"
San Domenico (A.P. 9), 2019, Relief Monoprint, 9" x 9"
San Domenico (A.P. 11), 2019, Relief Monoprint, 9" x 9"
San Domenico (A.P. 12), 2019, Relief Monoprint, 9" x 9"
San Domenico (A.P. 17), 2019, Relief Monoprint, 9" x 9"
San Domenico (A.P. 20), 2019, Relief Monoprint, 9" x 9"
San Domenico (A.P. 21), 2019, Relief Monoprint, 9" x 9"
San Domenico (A.P. 26), 2019, Relief Monoprint, 9" x 9"
San Domenico (A.P. 27), 2019, Relief Monoprint, 9" x 9"

Pine Waves / Cloud Ravines


A series of constructivist relief prints and monotypes, investigating the pairing of a grid alongside the structure of a Chinese scroll painting. The title of the series comes from a painting by the Qing landscape painter Wang Hui—viewed in Shanghai in 2018.



Pine Waves / Cloud Ravines #3, 2019, Relief Monoprint, 15" x 22"
Pine Waves / Cloud Ravines #4, 2019, Relief Monoprint, 15" x 22"
Pine Waves / Cloud Ravines #5, 2019, Relief Monoprint, 15" x 22"
Pine Waves / Cloud Ravines #8, 2019, Relief Monoprint, 15" x 22"
Pine Waves / Cloud Ravines #9, 2019, Relief Monoprint, 15" x 22"
Pine Waves / Cloud Ravines #11, 2019, Relief Monoprint, 7"x 8"
Pine Waves / Cloud Ravines #12, 2019, Relief Monoprint, 7"x 8"
Pine Waves / Cloud Ravines #13, 2019, Relief Monoprint, 7"x 8"
Pine Waves / Cloud Ravines #18, 2019, Relief Monoprint, 7"x 8"

Verona


A series of reduction relief prints and monotypes investigating a design by the architect Carlo Scarpa for the Museo di Castelvecchio in Verona, Italy.



Castelvecchio (A.P. 3), 2018, 21" x 16.5" 
Castelvecchio (A.P. 5), 2018, 21" x 16.5" 
Castelvecchio (A.P. 10), 2018, 21" x 16.5"
Castelvecchio (A.P. 12), 2018, 21" x 16.5" 
Castelvecchio (A.P. 21), 2018, 21" x 16.5"
Verona #1, 2017, Relief Monotype, 10" x 9"
Study (after Scarpa), 2018, Relief, 5" x 5"
Study (after Scarpa), 2018, Relief, 5" x 5"
Verona #6, 2017, Relief Monotype, 10 x 9"
Verona #11, 2017, Relief Monotype, 10 x 9"
Verona #12, 2017, Relief Monotype, 10 x 9"
Verona #14, 2017, Relief Monotype, 10 x 9"

Field Constructions


A series of monotypes produced from 2012–2014, investigating the interaction between flat areas of color and atmospheric space. The prints draw inspiration from nature and topography, utilizing both control and chance throughout the process. The title reflects an influence from both Color Field painters and Constructivist art.



Field Construction 9, 2012, Monotype, 10.5" x 12.5"
Field Construction 12, 2012, Monotype, 10.5" x 12.5"
Field Construction 13, 2012, Monotype, 10.5" x 12.5"
Field Construction 20, 2012, Monotype, 10.5" x 12.5"
Field Construction 24, 2013, Monotype, 10.5" x 12.5"
Field Construction 27, 2013, Monotype, 10.5" x 12.5"
Field Construction 30, 2013, Monotype, 10.5" x 12.5"
Field Construction 35, 2014, Monotype, 10.5" x 12.5"
Field Construction 45, 2014, Monotype, 10.5" x 12.5"
Field Construction 49, 2014, Monotype, 10.5" x 12.5"
Field Construction 50, 2014, Monotype, 10.5" x 12.5"
Field Construction 51, 2014, Monotype, 10.5" x 12.5"

Treading


A series of monotypes utilizing a repeating structure to investigate simple relationships between printed playing cards. The title “Treading” is intended to help direct the viewer to a repeated path or motion.



Treading 2, 2012, Monotype, 3.5" x 7.5"
Treading 4, 2012, Monotype, 3.5" x 7.5"
Treading 8, 2012, Monotype, 3.5" x 7.5"
Treading 14, 2012, Monotype, 3.5" x 7.5"
Treading 20, 2012, Monotype, 3.5" x 7.5"
Treading 22, 2012, Monotype, 3.5" x 7.5"
Treading 23, 2012, Monotype, 3.5" x 7.5"
Treading 26, 2012, Monotype, 3.5" x 7.5"
Treading 27, 2012, Monotype, 3.5" x 7.5"
Treading 32, 2012, Monotype, 3.5" x 7.5"
Treading 33, 2012, Monotype, 3.5" x 7.5"
Treading 35, 2012, Monotype, 3.5" x 7.5"

Repetitions


A variety of monotypes utilizing playing cards as the printing “matrix,” printed between 2008 and 2014. The cards are intentionally arranged in an organic hand-placed grid, directing the viewer to a contrast between control (the grid, the colors) and chance (the water, the string).



Baker Run, 2011/2014, Monotype, 12.75" x 16"
Circle Back, 2011/2014, Monotype, 12.75" x 16"
Pitch, 2011/2014, Monotype, 12.75" x 16"
Clement, 2011/2014, Monotype, 10" x 16"
7-6-11 (For Twombly), 2011, Monotype, 3.5" x 5"
Repetition 35, 2010, Monotype, 10.5" x 12.75"
Repetition [Grey], 2010, Monotype, 17.5" x 17.75"
Repetition 22, 2009, Monotype, 7" x 7.625"
Repetition 21, 2009, Monotype, 7" x 7.625"
Gesture 14, 2008, Monotype, 5" x 7"
Repetition 1, 2008, Monotype, 10.5" x 10"
Repetition 3, 2008, Monotype, 10.5" x 10"

Condolences


A series of monotypes on wood panels printed between 2005–2006. The small four-inch square panels reference landscape as they investigate organic surfaces and wrestle with formal concerns of weight and balance.



Condolence 5, 2005, Monotype on Panel, 4" x 4"
Condolence 10, 2005, Monotype on Panel, 4" x 4"
Condolence 14, 2006, Monotype on Panel, 4" x 4"
Condolence 16, 2006, Monotype on Panel, 4" x 4"
Condolence 18, 2006, Monotype on Panel, 4" x 4"
Condolence 19, 2006, Monotype on Panel, 4" x 4"
Condolence 20, 2006, Monotype on Panel, 4" x 4"
Condolence 21, 2006, Monotype on Panel, 4" x 4"
Condolence 23, 2006, Monotype on Panel, 4" x 4"
Condolence 25, 2006, Monotype on Panel, 4" x 4"
Condolence 26, 2006, Monotype on Panel, 4" x 4"
Condolence 27, 2006, Monotype on Panel, 4" x 4"
© Brenton Good. All rights reserved. Images may not be used without permission.